Adobe premiere pro cc classroom in a book 2019 pdf free download free download

Adobe premiere pro cc classroom in a book 2019 pdf free download free download

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Adobe premiere pro cc classroom in a book pdf free for individual lessons, or it may be possible to download them all in a single file. The 18 project-based lessons in this book show users step-by-step the key techniques for working in Premiere Pro. Learn to edit video in Adobe. [pdf] Adobe Premiere Pro CC Classroom in a Book ( Release) By DOWNLOAD ePAPER. TAGS; adobe Read and download online as many.


Top Free Adobe Premiere Pro Tutorial PDF Downloads – FilterGrade.Adobe premiere pro cc classroom in a book [2] –

Read more Read less. Bins have the same options as the Project panel, and opening multiple bins to browse their contents is a common way to navigate the available media iin a project. Document Size: This brings all the selected layers into Premiere Pro at взято отсюда size of the original Photoshop document. Simple and quick to use transitions for video and audio. Page 77 Images and sounds even have pri editing tracks to separate and professionally manage the process. Capture and edit virtually any format, from DV to uncompressed HD.


Adobe premiere pro cc classroom in a book 2019 pdf free download free download


If you are looking for a professional and easy to use video editor, you should try Wondershare FilmoraPro. That will add a new bin in the list. Align the audio and video tracks using the markers. Short clips, films, and music videos are just a few of the types of projects that Premiere can help you with. If an installation window pops up just hit “OK. You will get a panel with some options. I don’t know your Ps release version number, you can find that if you right-click on Ps and select info.

Step 6: Drag pointers to crop video. This Adobe Crack alternative is compatible with Mac, Windows and Linux and offers some press-ready output to use. You should now see the installed presets under the Presets folder.

Learn how to edit video and audio, make color corrections, add titles and effects, and more. Adobe Premiere Pro is a powerful video editor, but it can be a little intimidating to learn. In this video, you will learn premiere pro new features and how to adobe premiere pro speech-to-text and captioning workflow. These motion graphics templates are very easy to customize and use.

It’s always a pleasure to see how Adobe can make an editor’s life easier. Save the proxies to your computer or to Creative Cloud for access on any device. Right Click on the grey area in the project panel just to the right of the name icon until you see the Metadata Display icon, then select it. Jika sudah, silahkan kalian pilih menu edit-preferences-playback, atau supaya lebih jelasnya bisa perhatikan pada gambar berikut ini.

Whether you’re editing a video for social media or a blockbuster film, Premiere Pro can help you craft your story with tools that just make sense.

Create a new project or open your existing one and import your low resolution video. Some video cards might use floor instead of round, so. I use the version of Adobe Premiere Pro, but any version will work with these lessons.

We’ve gather so much experience over the past 10 years and bundled this into the best Premiere Pro class any beginner is. The GPU acceleration is enabled. A versatile, motion graphics template that is almost unlimited in its customization options! Download Super Titles Now.

After finishing all settings, click Update to start upgrading Premiere Pro CC to the most recent version. Unknown 4 October at Place Captions File in Project Timeline. Only once you are absolutely sure that you are ready to export can you start the process.

Select all the clips in your Adobe Prelude project, and place them in the new bin. Design slideshow videos for photo albums.

In some scenarios, the issue might be due to the specified path of the video or audio files. Easy to use and customize titles, intros, typography, motion graphics, transitions, overlays and more. Once Adobe Premiere Pro is open and you have created a new sequence, the first step to reverse a clip in Premiere Pro is to import the footage that you wish to reverse.

A cool neon light title for those videos that need a bit of a modern flash. GenP full name: Adobe CC , – GenP is a new type of universal patcher developed for cracking the latest versions of Adobe Creative Cloud , all products in a cleverer and easier way.

Premiere Pro: the best video editing software for pros. Chapter 16 – Creating Titles This chapter does everything correct to teach you about applying text in Premiere Pro. However, how titling works in Pr reminds us of something which is leftover from another century. For people who worked with Chyron machines, at TV stations, before the digital age, this Premiere Pro set of features will seem very comfortable. We have told our friends at Adobe that they need to work on this.

So, what do we do? Some of titling we create for Pr is far superior when done with Photoshop, Illustrator, or After Effects. So, study this carefully, but let your creative mind soar on other ways of doing this.

Chapter 17 – Managing Your Projects This is an extremely important chapter. There have been times when we thought it should be further to the front of the book. Yet, now that we have studied a few editions of this project, we see that making the move could break up the flow that the learning process deserves. The whole thing is highly technical. This is a fabulously compiled chapter of must-know information.

This chapter makes AME extremely approachable. Consider this to be your reference chapter as to what you must do to output your finished sequence to all the various media out there. If you are familiar with Adobe InDesign, this entire process is quite similar to the huge number of export and output options. Some users find the whole thing painful. We know of no way around it. We cannot allow this chapter to conclude without mentioning Adobe Encore CS6, which got just a 2 line mention on page 6.

Up until a couple editions ago, Encore was included in this book. Adobe Creative Cloud subscribers can still get Encore, so that export option is available, too. Encore installs with it. We keep pestering our friends at Adobe to bring Encore back. There may also have been so much material which had to be packed into this that big cool visuals were not possible.

The lessons are cool. They are empowering to work with. We give it 5. Verified Purchase. By far, Premiere Pro is the best program out there, with every imaginable tool available to produce professional results. That said, this book goes extensively into teaching you how to use these tools.

But the CD is important as it has all the lesson files that you need to learn the techniques as you go through this book. There are 18 lesson chapters. Be prepared to sit down for 2 to 3 hours with each lesson. It does get easier as you become more familiar with using Premiere Pro.

This book is absolutely the best way to learn this extensive program. I needed this for a college “Video Editing” course. The course itself was good. We weren’t required to buy the book, but not being a tech-savvy guy, I bought it so I wouldn’t have to annoy the professor with every little question.

So the book ended up being great for trouble shooting, and was usually simple enough for the lay guy me to understand and fix whatever mistake I’d made. The biggest plus was when wanting to polish my presentations and videos I could get good tips on making them even better with the book’s help. If you’re going to dabble in Adobe Premier Pro, this book could save you a lot of headaches, and for that reason, I recommend it heartily.

I had to buy this for a class I’m taking. The book came with access to the E-book version and I use that instead. It’s a good Ebook; however, the answers to the test questions are all mixed up. Though I already was proficient at Lightroom and most of Photoshop, you do not have to have any previous knowledge to master this software. This book will teach you everything you need to ever know to make stunning videos.

I became proficient at Pr in just two months thanks to this book which as excellent lessons. Highly recommend. I went from complete beginner knowing nothing to very confident with premiere using this book.

I don’t love the flow of the book, but that’s just me, it’s a good quality training book for premiere. Good book, but even after updating the lesson files from the website i had to pint to lesson files in PPCC and ive come accross many errors in the book that dont match PPCC.

Drag the sequence called First Sequence into the Sequences bin. Drag all the remaining clips into the Theft Unexpected bin. You should now have a nicely organized Project panel, with each kind of clip in its own bin. You can also copy and paste clips to make extra copies if this helps you stay organized.

Click the disclosure triangle for the Graphics bin to display the contents. Click the disclosure triangle for the Theft Unexpected bin to display the contents. Premiere Pro places a copy of the clip in the Theft Unexpected bin.

Note Notice the clip Under Basket. MOV has a file extension all in caps. This makes no difference for your operating system or for Premiere Pro. Note When you make copies of clips, you are not making copies of the media files they are linked to.

You can make as many copies as you like of a clip in your Premiere Pro project. Those copies will all link to the same original media file. Premiere Pro will open the folder in your storage drive that contains the media file. This can be useful if you are working with media files stored on multiple hard drives or if you have renamed your clips in Premiere Pro.

Changing bin views Although there is a distinction between the Project panel and the bins inside it, they have the same controls and viewing options. Bins have two views. You choose between them by clicking the List View button Icon View button or at the bottom left of the Project panel. List view: This view displays your clips and bins as a list, with a significant amount of metadata displayed. You can scroll through the metadata and use it to sort clips by clicking column headers.

Icon view: This view displays your clips and bins as thumbnails you can rearrange and use to preview clip contents. The Project panel has a zoom control, next to the List View and Icon View buttons, hich changes the size of the clip icons or thumbnails. Click the Icon View button on the Theft Unexpected bin to display thumbnails for the clips. Try adjusting the zoom control. Premiere Pro can display large thumbnails to make browsing and selecting your clips easier.

You can also apply various kinds of sorting to clip thumbnails in Icon view by clicking the Sort Icons menu w. Switch to List view. Try adjusting the Zoom control for the bin. Open the panel menu and choose Thumbnails. Premiere Pro now displays thumbnails in List view, as well as in Icon view. Try adjusting the Zoom control. The clip thumbnails show the first frame of the media. In some clips, the first frame will not be particularly useful. Look at the clip HS Suit, for example. The thumbnail shows the clapperboard, but it would be useful to see the character.

Note You can also change the font size in the Project panel or a bin by clicking the panel menu and choosing Font Size. Note Selecting a clip by clicking its thumbnail reveals a small timeline control under it. Drag on this timeline to view the contents of the clip. You can keep as many bins open as you like and place them anywhere in the interface to help you stay organized. Switch to Icon view. In this view, you can hover the pointer over clip thumbnails to preview clips.

Hover your pointer over the HS Suit clip. Move the mouse until you find a frame that better represents the shot. While the frame you have chosen is displayed, press the I key. The I key is the keyboard shortcut for Mark In, a command that sets the beginning of a selection when choosing part of a clip that you intend to add to a sequence.

The same selection also sets the poster frame for a clip in a bin. Premiere Pro shows your newly selected frame as the thumbnail for this clip.

Choose Thumbnails from the panel menu to turn off thumbnails in List view. Creating Search bins When using the Search field to display specific clips, you have the option to create a special kind of virtual bin, called a Search bin.

Search bins appear in the Project panel automatically. They display the results of a search performed when using the Search field. You can rename search bins and place them in other bins. Assigning labels Every item in the Project panel has a label color. In List view, the Label column shows the label color for every clip. When you add clips to a sequence, they are displayed in the Timeline panel with this label color.

When you add a clip to a sequence, Premiere Pro creates a new instance, or copy, of that clip. Changing the available label colors You can assign up to 16 colors as labels to items in your project. There are seven types of items that label colors can be assigned to automatically based on the item type video, audio, still, etc.

You can click the color swatch to change the color, and you can click the name to rename it. You can use the Label Defaults options to choose different default labels for each kind of item in your project.

Changing names Because clips in your project are separate from the media files they link to, you can rename items in Premiere Pro and the names of your original media files on the hard drive are left untouched. This makes it safe to rename clips—and it can be helpful when organizing a complex project. This button appears whenever you are viewing the contents of a bin by opening it.

Click to navigate up to the Project panel. You now have two instances of the same Project panel in the same panel group. Open the Graphics bin. Tip To rename an item in the Project panel, you can also click the item name, wait a moment, and click again, or you can select the item and press Enter. The original media file is displayed in its current location. Notice that the original filename has not changed. Note When you change the name of a clip in Premiere Pro, the new name is stored in the project file.

Two Premiere Pro project files can have different names representing the same clip. In fact, so could two copies of a clip in the same project—even in the same bin! Customizing bins When set to List view, the Project panel displays a number of columns of information about each clip heading. You can easily add or remove columns. Depending on the clips you have and the types of metadata you are working with, you might want to display or hide some columns.

Open the panel menu, and choose Metadata Display. The Metadata Display panel allows you to choose any kind of metadata to display in the List view of the Project panel and any bins. All you have to do is select the check box for the kind of information you would like to be included. Click the disclosure triangle for Premiere Pro Project Metadata to show those options. Select the Media Type option. Media Type is now added as a heading for the Theft Unexpected bin only.

You can apply the change to every bin in one step by using the panel menu in the Project panel to access the Metadata Display settings, rather than in an individual bin. How Metadata display settings are stored Metadata display settings for individual bins are saved in the project file, while Metadata display settings for the Project panel are saved with the workspace.

Any bins without modified Metadata display settings will inherit the settings from the Project panel. Note Several useful bin columns are displayed by default, including the Good check box. Select this box for clips you prefer, and then click the column heading to sort selected shots from unwanted content.

Some columns provide information only, while others can be edited directly in the bin. The Scene column, for example, allows you to add a scene number for each clip, while the Media Type column gives information about the original media and cannot be edited directly. This way, you can use the keyboard to quickly enter information about several clips, jumping from one box to the next without using your mouse.

This way, you can leave the mouse and switch to a faster keyboard workflow for metadata entry it also leaves a hand free to hold a cup of coffee…. Having multiple bins open at once Every bin panel behaves in the same way, with the same options, buttons, and settings. The settings shown here are a good match. Premiere Pro has multiple ways to perform common tasks, such as playing video clips.

Continue working in the Theft Unexpected bin. Hover your pointer move the pointer without clicking across any of the images in the bin. This is called hover scrubbing. Premiere Pro displays the contents of the clip as you move your pointer. The left edge of the thumbnail represents the beginning of the clip, and the right edge represents the end. In this way, the width of the thumbnail represents the whole clip.

Hover scrubbing is now turned off, and a mini navigator appears at the bottom of the thumbnail. Try dragging through the clip using the playhead. When a clip is selected, you can use the J, K, and L keys on your keyboard to perform playback, just as you can in the Media Browser.

J: Play backward 2. K: Pause 3. Select a clip, and use the J, K, and L keys to play the video in the thumbnail. These allow you to perform editing tasks without a mouse or trackpad. To see these controls on a nontouchscreen computer, click the panel menu and choose Thumbnail Controls For All Pointing Devices. Open the Source Monitor panel menu to browse your recent clips.

T Tip Notice that you have the option to close a single clip or close all clips, clearing the menu and the monitor. Some editors like to clear the menu and then open several clips that are part of a scene by selecting them in the bin and dragging them into the Source Monitor together. You can then use the Recent Items menu to browse only the clips from that selection. Open the Zoom Level menu at the bottom left of the Source Monitor.

By default, this is set to Fit, which means Premiere Pro will display the whole frame, regardless of the original size. Your clips will often be higher resolution than the monitors. Choose Fit from the Zoom Level menu.

Drag it along the bottom of the panel to view different parts of the clip. You can also click wherever you want the playhead to go, and it will jump to that spot. Drag one end of this scroll bar to zoom in on the Time Ruler. This will make it easier to navigate longer clips. Click it again to stop playback. You can also use the spacebar to play and stop playback. You can also use the Left Arrow and Right Arrow keys on your keyboard. Try using the J, K, and L keys to play your clip.

Note Selection is important when using keyboard shortcuts and menus. Clips will play with the correct timing so 10 seconds of video will still take 10 seconds , but some frames may not be displayed. To work with a wide variety of computer hardware configurations, from powerful desktop workstations to lightweight portable laptops, Premiere Pro can lower the playback resolution to make playback smoother. You can switch the playback resolution as often as you like, using the Select Playback Resolution menu on the Source Monitor and Program Monitor panels.

Some lower resolutions are available only when working with particular media types. For other media types, the work of converting the image to lower resolution might be more than the work saved by not playing full resolution because not all codecs can be played back at a lower resolution efficiently.

Tip If you are working with a particularly powerful computer, you may want to turn on High Quality Playback, in the monitor Settings menu, which maximizes preview playback quality, particularly for compressed media like H. For example, is 0 hours, 15 minutes, 10 seconds, and 1 frame. Clip timecode will rarely begin at , so you should not count on this number to assess the duration of a clip. At the bottom right of the Source Monitor, a timecode display shows the duration of your clip.

When you do, that duration shown will change accordingly. In and Out marks are simple to use: Click the Mark In button the part of a clip you want, and click the Mark Out button to set the beginning of to set the end of the part of a clip you want. Open the Settings menu at the bottom of the Source Monitor and choose Safe Margins to display useful white outlines over the image. Keep titles and graphics inside this box so that even on a badly adjusted display, your audience will be able to read the words.

Premiere Pro also has advanced overlay options that can be configured to display useful information in the Source Monitor and Program Monitor. To enable or disable overlays, open the monitor Settings menu and choose Overlays. Do so now so you can see the image clearly. The Source Monitor and Program Monitor have similar options.

You can view an audio waveform, which shows amplitude over time useful if you are searching for a particular sound or the start of a word , and if your video has fields, you can choose which fields are shown. You can also switch between viewing the clip audio waveform and the video by clicking Drag Video Only or Drag Audio Only. You can add, move, or remove buttons at the bottom of the Source Monitor and Program Monitor.

Note that any customizations you make to the buttons on one of the monitor panels are applied only to that panel. Click the Button Editor at the bottom right of the Source Monitor. The complete set of available buttons appears on a floating panel.

Drag the Loop Playback button from the floating panel to a spot to the right of the Play button on the Source Monitor the other buttons will automatically make space for it , and click OK to close the Button Editor. Click the Loop Playback button you added to enable it.

Click the Play button to play the clip. Play the video using the spacebar or the Play button on the Source Monitor. With Loop turned on, Premiere Pro continuously repeats playback of a clip or sequence. If there are In and Out marks set, playback loops between them. This is a great way to review a section of a clip. This metadata is normally added correctly when the media is created by the camera, for example , but occasionally it might be wrong.

All clips you have selected are affected by changes you make to interpretation. Choosing audio channels Premiere Pro has advanced audio management features. You can create complex sound mixes and selectively target output audio channels with original clip audio. You can work with mono, stereo, 5. In this case, the default settings are most likely what you need.

These are the same audio channels that would be used for regular stereo audio, but they now contain completely separate sound. Your camera adds metadata to the audio to tell Premiere Pro whether the sound is meant to be mono separate audio channels or stereo channel 1 audio and channel 2 audio combined to produce the complete stereo mix. What is an audio channel?

Think of a channel as a single signal—something you could hear with one ear. Because we have two ears, we are able to hear in stereo—sensing where a sound comes from by comparing differences in the way the sound arrives at each ear. To capture stereo the sound two ears can detect , you need two signals, so two channels are recorded.

For output, one channel will play through one speaker or headphone ear. To play audio with different volume levels on multiple speakers for surround sound, for example , you need multiple playback channels.

The Use File option means Premiere Pro will use the settings applied to the clip when it was created. You can override that option for each media type using the appropriate menu. Now look at the channel matrix below those options. The Left and Right audio channels of the source clip described as Media Source Channel are both assigned to a single clip described as Clip 1. When you add this clip to a sequence, it will appear as one video clip and one audio clip, with both audio channels in the same audio clip.

Open the Preset menu, and choose Mono. Premiere Pro switches the Clip Channel Format menu to Mono, so the Left and Right source channels are now linked to two separate clips. Tip Be sure to use the Preset menu and not the Clip Channel Format menu to correctly change this setting. This means that when you add the clip to a sequence, each audio channel will go on a separate track, as separate clips, allowing you to work on them independently.

A few tips on audio clip channel interpretation Here are some things to keep in mind when working with audio clip channel interpretation: In the Modify Clip dialog box, every available audio channel will be listed. You can override the original file audio channel interpretation mono, stereo, etc. This will mean a different type of audio track may be needed when the clip is added to a sequence. The list of clips on the left which may be as short as one clip shows how many audio clips will be added to a sequence when edited in.

Use the check boxes to choose which source audio channels are included in each sequence audio clip. This means you can easily combine multiple source audio channels into a single sequence clip or separate them into different clips in any way that works for your project. The most important factor when merging video and audio files in this way is synchronization. You will either manually define a sync point—like a clapperboard mark—or allow Premiere Pro to sync your clips automatically based on their original timecode information or by matching up their audio.

The keyboard shortcut to add a marker is M. Under Synchronize Point, choose your sync method, and click OK. Interpreting video footage For Premiere Pro to play a clip correctly, it needs to know the frame rate for the video, the pixel aspect ratio the shape of the pixels , and, if your clip is interlaced, the order in which to display the fields. The option to modify audio channels is unavailable because this clip has no audio. Right now, the clip is set to use the pixel aspect ratio setting from the file: Anamorphic This means the pixels are twice as wide as they are tall.

Take a look at the clip in the Source monitor. The clip looks almost square! Try another aspect ratio. Then click OK. From now on, Premiere Pro will interpret the clip as having pixels that are 1.

This reshapes the picture to make it standard widescreen. You can see the result in the Source Monitor. R3D files created by RED cameras,. RAW files always have a layer of interpretation applied to them in order to view them. Frequently bought together.

Total price:. To see our price, add these items to your cart. Some of these items ship sooner than the others. Show details Hide details. Choose items to buy together. Get it Dec 20 – Get it Dec 16 – Get it Dec 14 – Customers who viewed this item also viewed. Page 1 of 1 Start over Page 1 of 1. Adobe Premiere Pro Classroom in a Book release. Maxim Jago. Andrew Faulkner.

Adobe Premiere Pro For Dummies. Keith Underdahl. Lisa Fridsma. From the Publisher. Salient Features. Brief content visible, double tap to read full content. Full content visible, double tap to read brief content. Help others learn more about this product by uploading a video! For best results, consider using the transfer application that is often included by the camera manufacturer to move your video files, or explore Adobe Prelude CC, which can automate much of this process.

Check that all media files have been copied and that the original card and the copied folder sizes match. Clearly name the copied folder of the media with the camera information, including card number and the date of the shoot. Create a second copy of the media on a physically separate, second drive in case of hardware failure.

Really do actually create that second copy of your media on a physically separate drive! Importing from Adobe Prelude Adobe Prelude is designed to allow producers or assistants to quickly and efficiently ingest, log, and transcode media convert format and codec for tapeless workflows. Launch Adobe Prelude. Open the project you want to transfer, and select one or more items in the Project panel. Adobe Prelude has a similar appearance to Premiere Pro but with simplified controls. Select the Project check box.

Enter a name in the Name field. In the Type menu, choose Premiere Pro. Click OK. The Choose Folder dialog box opens. Navigate to a destination for the new project, and click Choose. A new Premiere Pro project is created.

You can open the Premiere Pro project file directly, or you can import it into an existing project. This is no problem for Premiere Pro because you can mix different types of media in the same sequence. Also, the Media Browser can display almost any media file type. AVCHD cameras. Apple ProRes. Image sequences, including DPX. Blackmagic CinemaDNG. Phantom Cine camera. It has Forward and Back buttons to go through your recent navigation. It also has a list of shortcuts on the side. Finding materials is easy.

Note When importing media, be sure to copy the files to your local storage, or use the project ingest options to create copies before removing your memory cards or external drives. Note When you open a project created on another computer, you may see a message warning you about a missing renderer. Continue working with your My Lesson Click the Media Browser panel name to bring it to the front of the panel group it should be docked with the Project panel by default. Tip Some keyboard layouts make it difficult to find the right key.

The Media Browser panel should now fill the screen. You may need to adjust the width of columns to make it easier to see items. Click the Thumbnail View button at the bottom left of the Media Browser panel, and drag the resize slider next to it to enlarge the thumbnails of the clips. You can use any size you like. Note The Media Browser filters out nonmedia and unsupported files, making it easier to browse for video or audio assets.

You can hover your pointer over any unselected clip thumbnail, without clicking, to see a preview of the clip contents. Click any clip once to select it. You can now preview the clip using keyboard shortcuts. When a clip is selected while in thumbnail view, a small preview timeline appears under the clip. Press the L key to play a clip.

To stop playback, press the K key. To play backward, press the J key. Experiment with playing back other clips. You should be able to hear the clip audio during playback.

You can press the J or L key multiple times to increase the playback rate for fast previews. Use the K key or the spacebar to pause playback. Having completed the process of importing, the Project panel opens automatically and displays the clips you just imported. Like the Media Browser panel, clips in the Project panel can be viewed as icons or as a list, with information about each clip displayed. Switch between these two viewing modes by clicking the List View button or Icon View button , at the bottom left of the Project panel.

Making the most of the Media Browser The Media Browser has a number of features that make it easy to navigate your storage. The Forward and Back buttons work like those in a web browser, allowing you to navigate to locations you have viewed previously. If you expect to import files from a location often, you can add the folder to a list of favorites at the top of the navigation panel. You can limit the types of files displayed to make it easier to browse large folders by opening the File Types Displayed menu.

You can open multiple Media Browser panels and access the contents of several different folders at once. By default, limited information about clips is displayed in the list view. To display more information, you can add multiple columns of metadata by clicking the panel menu and choosing Edit Columns. In the Edit Columns dialog box, select each type of metadata you would like to display.

People expect graphics to both convey information and add to the visual style of a final edit. Premiere Pro can import just about any image and graphic file type.

Anyone who works with print graphics or performs photo retouching has probably used Adobe Photoshop. Importing single-layer image files Most graphics and photos you will work with will have a single layer—one flat grid of pixels that you can work with as a simple media file. Select the Project panel. When the Project panel is in icon view, it displays the contents of graphics as thumbnails. A good example is Dynamic Link. This allows you to import After Effects compositions which are a little like Premiere Pro sequences into a Premiere Pro project in a way that creates a live connection between the two applications.

Once added in this way, the After Effects compositions will look and behave like any other clip in your Premiere Pro project. Importing layered Adobe Photoshop files Adobe Photoshop can create graphics with multiple layers.

Layers are similar to tracks in a Premiere Pro sequence and allow for separation between visual elements. You can import Photoshop document layers into Premiere Pro individually to allow for isolation when making adjustments or animation.

These are layers with layer visibility turned off in Photoshop but not deleted. Premiere Pro honors the layer selection automatically on import. Merge All Layers: This merges all layers into one, importing the file into Premiere Pro as a single, flattened clip. Merged Layers: This merges only the specific layers you select in this dialog box into a single, flattened clip.

Individual Layers: This imports only the specific layers you select in this dialog box, with each layer becoming a separate clip in a bin in the Project panel. Sequence: This imports only the layers you select in this dialog box, each as a single clip.

Premiere Pro then automatically creates a new sequence with its frame size based on the imported PSD dimensions containing each clip on a separate track matching the original stacking order. Tip There are good reasons to import individual PSD layers with separate layer sizes. For example, some graphic designers create multiple images for editors to incorporate into video edits, with each image occupying a different layer in the PSD.

If you choose Sequence or Individual Layers, you can choose one of the following from the Footage Dimensions menu: 1. Document Size: This brings all the selected layers into Premiere Pro at the size of the original Photoshop document. Layer Size: This matches the frame size of the new Premiere Pro clips to the frame size of their individual layers in the original Photoshop file. Layers are also then centered in the frame, losing their original relative positioning.

For this exercise, choose Sequence, and choose Document Size. Sequences have a unique icon in List view Icon view and displayed over their thumbnail in. Note Remember, bins in the Project panel look and behave a lot like folders in your computer file system.

Bins exist only inside the project file and are a great way to stay organized. Image tips for Adobe Photoshop files Here are a few tips for importing images from Adobe Photoshop: 1.

Remember that when you import a layered Photoshop document as a sequence, the frame size in Premiere Pro will be the same as the pixel dimensions of the Photoshop document. If you do plan to zoom or pan, create images so that the resulting zoomed or panned area of the image has a frame size at least as large as the frame size of the sequence.

Importing large image files uses more system memory and can slow down your system. As with any other media you import, changes made to the PSD file will update automatically in Premiere Pro when the file is saved.

This means a designer can continue to work on an image you have already incorporated into a sequence. Look at the sequence in the timeline.

The contents of the sequence are displayed in the Program Monitor. Try clicking the Toggle Track Output button at the left of the timeline for each track to reveal and hide the content on each layer.

Bins have the same options as the Project panel, and opening multiple bins to browse their contents is a common way to navigate the available media in a project. Vector graphics are mathematical descriptions of shapes rather than drawn pixels. This means you can scale them to any size and they always look sharp. Vector graphics are typically used for technical illustrations, line art, or complex graphics.

A clip linked to the Illustrator file you imported will appear in the Project panel. Notice the black text in the logo disappears into the black background of the Source Monitor. If you have Illustrator installed on your computer, choosing Edit Original will open this graphic in Illustrator, ready to be edited. It always merges them into a single layer clip. This conversion happens during import automatically, so be sure your graphics are configured to be large enough in Illustrator before importing them into Premiere Pro.

Premiere Pro sets all empty areas of Illustrator files as transparent so that clips on lower tracks in your sequence will show through. You can select a whole folder. Try this now. Premiere Pro imports the folder and its contents, including two subfolders containing photos. You can click the disclosure triangle next to any bin to toggle the display of its contents. If so, an information message will inform you that some files could not be imported.

Importing VR video What is often referred to as VR video is really video that is best viewed using a VR headset as it captures an image in all degrees. When wearing a VR headset to view this kind of video, you can turn your head to look in different directions.

There is no special import process for video—you can use the regular Import option, or you can use the Media Browser panel and import as you would any other video. Premiere Pro expects prestitched equirectangular media, so you will have to use another application to prepare your media in this way prior to import. The excellent video workflows in Premiere Pro are beyond the scope of this book—check the online help for more information.

Adobe Stock offers millions of images and videos you can easily incorporate into your sequences via the Libraries panel. Note You may have noticed the word conform is used to describe both the way clip playback is adjusted to match sequence settings and the way certain formats are processed when imported to Premiere Pro. This is particularly true for highly compressed formats, and the process is called conforming.

If necessary, imported audio files are automatically conformed to a new CFA file conformed audio file. Most MPEG files are indexed, leading to an extra. The media cache improves preview playback performance by making it easier for your editing system to decode and play media. You can customize the cache to further improve performance. A media cache database helps Premiere Pro manage these cache h iles, which are shared between multiple Creative Cloud applications. Here are the options: To move the media cache files or the media cache database to a new location, click the appropriate Browse button, select the desired location, and click Choose macOS or Choose Folder Windows.

In most cases, you should not move the media cache database during an editing project. Select Save. If you want to keep everything in one central folder, leave this option unselected. You should clean the media cache database on a regular basis to remove old conformed and indexed files that are no longer required.

To do so, click the Delete Unused button. Any connected drives will have their cache files removed. The Media Cache Management options allow you to configure a degree of automation in the management of caches files. Click Cancel to close the Preferences dialog box without saving your changes.

Tape vs. To bring footage from tape into a Premiere Pro project, you can capture it. Capture digital video from tape to your system storage before using it in a project. There are three basic approaches: You can capture your entire videotape as one long clip. With some tape formats, you can use the scene detection feature in Premiere Pro to automatically create separate clips based on every time you pressed Record on your camera.

These come in several form factors, including internal cards and breakout boxes that connect via FireWire, USB 3.

This can be helpful because it will give you a sense of timing for your edits. Try recording a scratch audio track. You may need to consult the documentation for your computer or sound card. Every audio track has a set of buttons and options on the far left. This area is called the track header. Turn down your computer speakers, or use headphones to prevent feedback or echo.

Increase the height of the A1 track. To increase the height of an audio track, drag down on the horizontal dividing line between two audio track headers, or hover the pointer over the track header, while holding Option macOS or Alt Windows , and scroll the mouse wheel. In the Timeline panel, time moves from left to right, just as it does with any online video.

At the top of the Timeline panel, where the time ruler is displayed, a playhead indicates the current frame displayed in the Program Monitor. You can click at any point in the time ruler and the playhead will move to show that frame. You can also drag on the time ruler itself to view the contents of the current sequence. This is called scrubbing like scrubbing a floor. After a brief countdown, recording will begin. Say a few words, and press the spacebar to stop recording.

A new audio clip is created and added to the Project panel and the current sequence. You may close it or leave it open for the next lesson. Where can media cache files be stored? How can you enable proxy media file creation when video is imported? The Media Browser understands the complex folder structures for P2, XDCAM, and many other formats, and it shows you the clips in a visually friendly way.

If you want layers as separate clips, choose Individual Layers and select the layers to import, or choose Sequence to import the selected layers and create a new sequence from them. You can store media cache files in any specified location or automatically on the same drive as the original files when possible. The faster the storage for your cache, the better the playback performance.

You can enable proxy media file creation in the Ingest settings. You can also enable proxy creation by selecting the box at the top of the Media Browser. Doing so can save you from spending hours hunting for things later. Alternatively, open the project file Lesson To begin, reset the workspace to the default. In the Workspaces panel, click Editing. Then click the panel menu adjacent to the Editing option, and choose Reset To aved Layout.

Rename the file to Lesson 04 Working. Anything that appears in a sequence must also be in the Project panel. If you delete a clip in the Project panel that is already used in a sequence, the clip will automatically be removed from the sequence. Premiere Pro will warn you if deleting a clip will affect an existing sequence. In addition to acting as the repository for all your clips, the Project panel gives you important options for interpreting media.

All your footage will have a frame rate frames per second, or fps and a pixel aspect ratio pixel shape , for example. You may want to change these settings for creative or technical reasons. S he Project panel in List view. To switch to this view, click the List View button at the bottom left of the panel. You might receive a video file that has the wrong pixel aspect ratio setting and want to correct it.

Premiere Pro uses metadata associated with footage to know how to play it back. If you want to change the clip metadata, you can do so in the Project panel. The default Editing workspace is designed to keep the interface as clean as possible so you can focus on your creative work. Open the Project panel menu. Choose Preview Area. The Preview Area shows useful information about clips when you select them. Tip You can access lots of clip information by scrolling the List view or by hovering your pointer over a clip name.

You can do this with any panel. The Preview Area shows you several kinds of useful information about a selected clip in the Project panel, including the frame size, pixel aspect ratio, and duration. Click the Poster Frame button to set the clip thumbnail displayed in the Project panel. Choose Preview Area from the Project panel menu again to hide it. Finding assets in the Project panel Working with clips is a little like working with pieces of paper at your desk. But when you have to , you need an organizational system.

One way you can help make things smoother during the edit is to invest a little time in organizing your clips at the beginning. Tip You can scroll the Project panel view up and down using the scroll wheel on your mouse, or using a gesture if you have a touchpad. Note You may need to drag a heading divider to expand the width of a column before you can see its sort order indicator or all of the information available in the column. Click the Name column heading at the top of the Project panel.

The items in the Project panel are displayed in alphabetical order or reverse alphabetical order each time you click the Name heading. A direction indicator next to the heading shows the current sort order. Scroll to the right until you can see the Media Duration heading in the Project panel.