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Adobe photoshop cc 2015 study guide free
Using the Crop tool, you can trim edges, frree the shape and size of a photo, and even straighten a crooked shoreline or horizon. Convert color to black and fgee, add an old-fashioned tinted look, and play with focus using the Tilt-Shift Adobe photoshop cc 2015 study guide free filter. Apply a sharpen filter to give your photo a finishing touch.
Then save http://replace.me/25223.txt edited file in PSD format to preserve your layers for future editing. To share your photo online or by email, save a copy as a JPEG. Buy now. Bring out the best tree your photos with these fundamental photo-editing techniques. What you’ll need. Get app. Get files. Crop and straighten. Open a file ; Crop ; StraightenSave Improve lighting and color.
Brighten a photo and make its colors здесь using adjustment layers. Remove unwanted content.
Easily eliminate distracting elements with the Spot Healing Brush adobe photoshop cc 2015 study guide free and the Patch tool.
Spot Healing Brush tool ; Patch tool Add creative effects. Sharpen 2051 save. Sharpen ; Save ; Photoshop with Lightroom and mobile apps Sign in to your account. Sign in. Quick links View all your plans Manage your plans. View all Photoshop tutorials.
adobe photoshop cc study guide answers
The Magic Wand tool selects similarly colored areas. The Crop tool trims images. The Slice tool creates slices. The Slice Select tool selects slices. The Spot Healing Brush tool removes blemishes and objects.
The Healing Brush tool paints with a sample or pattern to repair imperfections in a image. The Patch tool repairs imperfections in a selected area of an image using a sample or pattern. The Red Eye tool removes the red reflection caused by a flash. The Clone Stamp tool paints with a sample of an image. The Pattern Stamp tool paints with part of an image as a pattern. The Eraser tool erases pixels and restores parts of an image to a previously saved state.
The Background Eraser tool erases areas to transparency by dragging. The Magic Eraser tool erases solid-colored areas to transparency with a single click. The Blur tool blurs hard edges in an image.
The Sharpen tool sharpens soft edges in an image. The Smudge tool smudges data in an image. The Dodge tool lightens areas in an image. The Burn tool darkens areas in an image.
The Sponge tool changes the color saturation of an area. The Brush tool paints brush strokes. The Pencil tool paints hard-edged strokes. The Color Replacement tool replaces a selected color with a new color.
The Mixer Brush tool Simulates realistic painting techniques such as blending canvas colors and varying paint wetness.
The History Brush tool paints a copy of the selected state or snapshot into the current image window. The Art History Brush tool paints with stylized strokes that simulate the look of different paint styles, using a selected state or snapshot.
The gradient tools create straight-line, radial, angle, reflected, and diamond blends between colors. The Paint Bucket tool fills similarly colored areas with the foreground color. The path selection tools make shape or segment selections showing anchor points, direction lines, and direction points.
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Save Class. Lessons Class Trailer. Show All Lessons. Class Description Note: For a newer long-form bootcamp version of this class, click here. Edges and Textures. Hand-drawn Frames. Hand-drawn Graphics. Layout Templates. Practice Images – Lesson Tips and Tricks. Practice Images – Lesson Actions and Automation.
Practice Images – Lesson Advanced Layers. Practice Images – Lesson Advanced Masking. Practice Images – Lesson Advanced Retouching. Practice Images – Lesson Blending Modes. Practice Images – Lesson 2: Camera Raw. Practice Images – Lesson 8: Color Adjustments. Practice Images – Lesson 5: Layer Masks. Practice Images – Lesson 4: Layers. Practice Images – Lesson 9: Retouching Essentials.
Practice Images – Lesson 3: Selection Essentials. Practice Images – Lesson Shooting for Photoshop. Practice Images – Lesson Smart Objects. Practice Images – Lesson 1: Starting from Zero. Practice Images – Lesson 7: Tonal Adjustments. Practice Images – Lesson 6: Tools and Panels.
Practice Images – Lesson Troubleshooting and Advice. Brighten a photo and make its colors pop using adjustment layers. Remove unwanted content. Easily eliminate distracting elements with the Spot Healing Brush tool and the Patch tool.
Spot Healing Brush tool ; Patch tool Add creative effects. Sharpen and save. Sharpen ; Save ; Photoshop with Lightroom and mobile apps Sign in to your account.
Adobe photoshop cc 2015 study guide free
The unauthorized incorporation of such material into your new work could be a violation of the rights cf the copyright owner. Depending on which layer is http://replace.me/27158.txt, either the glass in the foreground or the beach in the background is in focus. Make both layers visible, and Shift-click to select them.
Adobe photoshop cc 2015 study guide free
Photoshop displays both of the open image files. Select the Beach. Select the Move tool , and use it to drag the Beach. Tip If you hold down Shift as you drag an image from one file into another, the dragged image automatically centers itself in the target image window.
The Beach layer now appears in the 04Working. Photoshop always adds new layers directly above the selected layer; you selected the Background layer earlier. Tip Need images for a project like this one? If you purchase the images, Photoshop replaces the placeholders with high-resolution images. Viewing individual layers The 04Working.
Some of the layers are visible and some are hidden. The eye icon next to a layer thumbnail in the Layers panel indicates that the layer is visible. Click the eye icon next to the Pineapple layer to hide the image of the pineapple. Select the Beach layer. To select the layer, click the layer name in the Layers panel. The layer is highlighted, indicating that it is active. Changes you make in the image window affect the active layer. To make the opaque areas on this layer more obvious, hide all layers except the Beach layer: Press Alt Windows or Option Mac OS as you click the eye icon next to the Beach layer.
The white background and other objects in the image disappear, leaving only the beach image against a checkerboard background. The checkerboard indicates transparent areas of the active layer. The Layer Style dialog box opens. Rearranging layers The order in which the layers of an image are organized is called the stacking order.
The stacking order determines how the image is viewed—you can change the order to make certain parts of the image appear in front of or behind other layers. The beach image is almost entirely blocked by images on other layers. Changing the opacity of a layer You can reduce the opacity of any layer to reveal the layers below it.
In this case, the postmark is too dark on the flower. Select the Postage layer, and then click the arrow next to the Opacity field to display the Opacity slider. You can also type 25 in the Opacity box or scrub the Opacity label. Notice that the change in opacity affects only the image area of the Postage layer. Duplicating a layer and changing the blending mode You can apply different blending modes to a layer. Blending modes affect how the color pixels on one layer blend with pixels on the layers underneath.
Currently, the blending mode for both layers is Normal. Right-click or Control-click the Pineapple layer, and choose Duplicate Layer from the context menu.
Click OK in the Duplicate Layer dialog box. Blending modes Blending modes affect how the color pixels on one layer blend with pixels on the layers beneath them. The default blending mode, Normal, hides pixels beneath the top layer unless the top layer is partially or completely transparent. Each of the other blending modes let you control the way the pixels in the layers interact with each other.
Often, the best way to see how a blending mode affects your image is simply to try it. You can easily experiment with different blending modes in the Layers panel, applying one after another to compare the effects. As you begin experimenting, keep in mind how different groups of blending modes affect an image.
Patterns or colors overlay the existing pixels while preserving the highlights and shadows of the underlying layers. With the Pineapple copy layer selected, choose Overlay from the Blending Modes menu in the Layers panel. The Overlay blending mode blends the Pineapple copy layer with the Pineapple layer beneath it to create a vibrant, more colorful pineapple with deeper shadows and brighter highlights.
Select the Postage layer, and choose Multiply from the Blending Modes menu. The Multiply blending mode multiplies the colors in the underlying layers with the color in the top layer.
In this case, the postmark becomes a little stronger. Resizing and rotating layers You can resize and transform layers.
Click the Visibility column on the Beach layer to make the layer visible. A Transform bounding box appears around the beach image. The bounding box has handles on each corner and each side. Press Shift as you drag a corner handle inward to scale the beach photo down by.
Watch the Width and Height percentages in the options bar. With the bounding box still active, position the pointer just outside one of the corner handles until it becomes a curved double arrow. Drag clockwise to rotate the beach image approximately 15 degrees.
You can also enter 15 in the Set Rotation box in the options bar. Click the Commit Transform button in the options bar. Make the Flower layer visible. Then, select the Move tool , and drag the beach photo so that its corner is tucked neatly beneath the flower, as in the illustration. Adding empty layers to a file is comparable to adding blank sheets of film to a stack of images. In the Layers panel, select the Background layer to make it active, and then click the Create A New Layer button at the bottom of the Layers panel.
A new layer, named Layer 1, appears between the Background and Pineapple layers. The layer has no content, so it has no effect on the image. Double-click the name Layer 1, type Clouds, and press Enter or Return to rename the layer. In the Tools panel, click the foreground color swatch, select a sky blue color from the Color Picker, and click OK. The Background Color remains white. Dragging to add a new layer You can add a layer to an image by dragging an image file from the desktop, Bridge, or Explorer Windows or the Finder Mac OS.
In Photoshop, select the Pineapple copy layer in the Layers panel to make it the active layer. Then navigate to the Lesson04 folder. Select Flower2. The Flower2 layer appears in the Layers panel, directly above the Pineapple copy layer. Photoshop places the image as a Smart Object, which is a layer you can edit without making permanent changes. Tip You can drag images from a Bridge window to Photoshop as easily as you can drag from the Windows or Mac desktop. Position the Flower2 layer in the lower left corner of the postcard, so that about half of the top flower is visible.
Then click the Commit Any Current Edits button in the options bar. This layer is at the top of the layer stack. Note If you make a mistake when you click to set the type, simply click away from the type and repeat step 4.
Applying a gradient to a layer You can apply a color gradient to all or part of a layer. In the Tools panel, select the Gradient tool.
The text has been rasterized. The Background Color should still be white. In the options bar, make sure that Linear Gradient is selected. Tip To list the gradient options by name rather than by sample, click the menu button in the gradient picker, and choose either Small List or Large List. Or, hover the pointer over a thumbnail until a tool tip appears, showing the gradient name. In the options bar, click the arrow next to the Gradient Editor box to open the Gradient Picker.
With the selection still active, drag the Gradient tool from the bottom to the top of the letters. If you want to be sure you drag straight up, press the Shift key as you drag. The gradient extends across the type, starting with orange at the bottom and gradually blending to white at the top. Applying a layer style You can enhance a layer by adding a shadow, stroke, satin sheen, or other special effect from a collection of automated and editable layer styles.
These styles are easy to apply, and they link directly to the layer you specify. Like layers, layer styles can be hidden by clicking eye icons in the Layers panel. Layer styles are nondestructive, so you can edit or remove them at any time. You can apply a copy of a layer style to a different layer by dragging the effect onto the destination layer. Earlier, you used a layer style to add a stroke to the beach photo. In the Layer Style dialog box, make sure that the Preview option is selected, and then, if necessary, move the dialog box so that you can see the Island Paradise text in the image window.
Tip You can also open the Layer Style dialog box by clicking the Add A Layer Style button at the bottom of the Layers panel and then choosing a layer style, such as Bevel And Emboss, from the pop-up menu. If you set a lighting angle in one of these effects, every other effect with Use Global Light selected inherits the same angle setting.
Angle determines the lighting angle at which the effect is applied to the layer. Distance determines the offset distance for a shadow or satin effect.
Spread determines how. Size determines how far the shadow extends. Click OK to accept the settings and close the Layer Style dialog box. Photoshop nests the layer style in the Island Paradise layer.
First it lists Effects, and then the layer styles applied to the layer. An eye icon appears next to the effect category and next to each effect. To turn off an effect, click its eye icon. Click the visibility column again to restore the effect. To hide all layer styles, click the eye icon next to Effects.
To collapse the list of effects, click the arrow next to the layer. Make sure that eye icons appear for both items nested in the Island Paradise layer. Blending effects Blending layers in a different order or on different groups changes the effect. You can apply a blending mode to an entire layer group and get a very different result than if you apply the same blending mode to each of the layers individually.
When a blending mode is applied to a group, Photoshop treats the group as a single merged object and then applies the blending mode. Experiment with blending modes to get the effect you want. Do not click OK.
With the Layer Style dialog box still open, click the word Satin on the left to select it and display its options. The Satin layer effect applies interior shading to create a satiny finish. The contour controls the shape of the effect; Invert flips the contour curve. Using an effect more than once in a layer style A great way to add visual impact to a design element is to apply multiple instances of effects such as strokes, glows, or shadows.
Open 04End. Now for the fun part! You can adjust your second drop shadow to change options such as color, size, and opacity. In the Drop Shadow options, click the color swatch, move the pointer outside the Layer Style dialog box so that the pointer changes into an eyedropper, and click the bottom flower to sample its pink color. Then match the Drop Shadow settings as shown below, and click OK.
Click OK to apply both layer styles. Adding an adjustment layer Adjustment layers can be added to an image to apply color and tonal adjustments without permanently changing the pixel values in the image. For example, if you add a Color Balance adjustment layer to an image, you can experiment with different colors repeatedly, because the change occurs only on the adjustment layer. If you decide to return to the original pixel values, you can hide or delete the adjustment layer.
Select the Flower2 layer in the Layers panel. The effect is interesting, but you want to change only the Flower2 layer.
Note Be sure to click the layer name, not the thumbnail, to see the appropriate context menu. An arrow appears in the Layers panel, indicating that the adjustment layer applies only to the Flower2 layer. Updating layer effects Layer effects are automatically updated when you make changes to a layer.
You can edit the text and watch how the layer effect tracks the change. Select the Island Paradise layer in the Layers panel. In the options bar, set the font size to 32 points, and press Enter or Return. Tip You can search for layers in the Layers panel by layer type, layer name, effect, mode, attribute, and color.
As you edit the text, the layer styles are applied to the new text. Adding a border The Hawaii postcard is nearly done. The elements are almost all arranged correctly in the composition. Select the Postage layer, and then use the Move tool to drag it to the middle.
A pixel border is selected around the entire image. Double-click the Layer 1 name in the Layers panel, and rename the layer Border. Flattening and saving files When you finish editing all the layers in your image, you can merge or flatten layers to reduce the file size.
Flattening combines all the layers into a single background layer. To appreciate what flattening does, notice the two numbers for the file size in the status bar at the bottom of the image window.
The first number represents what the file size would be if you flattened the image. The second number represents the file size without flattening. This lesson file, if flattened, would be 2—3MB, but the current file is much larger. So flattening is well worth it in this case. Note If the sizes do not appear in the status bar, click the status bar pop-up menu arrow, and choose Document Sizes.
In the Duplicate Image dialog box, name the file 04Flat. Leave the 04Flat. Choose Flatten Image from the Layers panel menu. Only one layer, named Background, remains in the Layers panel. You have saved two versions of the file: a one-layer, flattened copy as well as the original file, in which all the layers remain intact.
This lesson only begins to explore the vast possibilities and the flexibility you gain when you master the art of using Photoshop layers. About layer comps Layer comps provide one-click flexibility in switching between different views of a multilayered image file.
A layer comp is simply a definition of the settings in the Layers panel. Then, by switching from one layer comp to another, you can quickly review the two designs. The beauty of layer comps becomes apparent when you want to demonstrate a number of possible design arrangements. You might have the French text on one layer, and the English text on another in the same image file.
To create two different layer comps, you would simply turn on visibility for the French layer and turn off visibility for the English layer, and then click the Create New Layer Comp button in the Layer Comps panel. To view the different layer comps, click the Layer Comp box for each comp in the Layer Comps panel in turn.
Layer comps can be an especially valuable feature when the design is in flux or when you need to create multiple versions of the same image file. If some aspects need to stay consistent among layer comps, you can change the visibility, position, or appearance of one layer in a layer comp and then sync it to see that change reflected in all the other layer comps. Merging photos Take the blinking and bad poses out of an otherwise great family portrait with the Auto-Align Layers feature.
Open FamilyPhoto. In the Layers panel, turn Layer 2 on and off to see the two similar photos. When both layers are visible, Layer 2 shows the tall man in the center blinking, and the two girls in the front looking away. Make both layers visible, and Shift-click to select them. Toggle the eye icon next to Layer 2 off and on to see that the layers are perfectly aligned.
Select the Eraser tool in the Tools panel, and pick a soft, pixel brush in the options bar. Use the Eraser tool on the two girls looking away, revealing the image below, where they look into the camera. What is the advantage of using layers? When you create a new layer, where does it appear in the Layers panel stack? How can you make artwork on one layer appear in front of artwork on another layer? How can you apply a layer style? Layers let you move and edit different parts of an image as discrete objects.
You can also hide individual layers as you work on other layers. A new layer always appears immediately above the active layer. To minimize file size, you can flatten the image, which merges all the layers onto a single background.
Sometimes just one or two clicks in Photoshop can turn an image from so-so or worse to awesome. Quick fixes get you the results you want without a lot of fuss.
Getting started Not every image requires a complicated makeover using advanced features in Photoshop. Photoshop gives you the tools to make quick changes to a snapshot. Fortunately, red eye is easy to fix in Photoshop. In the Favorites panel in Bridge, click the Lessons folder. Then, in the Content panel, double-click the Lesson05 folder to open it. Adjust the thumbnail slider, if necessary, so that you can see the thumbnail previews clearly. Not only does red eye make an ordinary person or animal appear sinister, but it can distract from the subject of the image.
The Darken Amount specifies how dark the pupil should be. The red reflection disappears. If the red reflection is directly over the pupil, clicking the pupil removes it. However, if the red reflection is slightly off the pupil, try clicking the highlight in the eye first.
Sometimes the best option is to try them all and see which one you like best. Click Curves in the Adjustments panel. Click Auto to see what Photoshop applies. The image brightens. That brightens the image nicely, and also improves the contrast. Save the file, and then close it. The snapshot is ready to share. Blurring a background The interactive blurs in the Blur Gallery let you customize a blur as you preview it on your image.
In the final image, the egret appears sharper, as its reflection and the grass around it have been blurred. Iris Blur, one of the interactive blurs in the Blur Gallery, makes the task an easy one—no masking required. Photoshop opens the image. A blur ellipse is centered on your image. You can adjust the location and scope of the blur by moving the center pin, feather handles, and ellipse handles.
Click the ellipse, and drag inward to tighten the focus around the bird. Center B. Ellipse C. Feather handle D. Focus Pressing Alt or Option lets you drag each handle separately. Click and drag on the focus ring to reduce the amount of blur to 5 px, creating a. You can also change the amount of blur by moving the Blur slider in the Iris Blur area of the Blur Tools panel.
Click OK in the options bar to apply the blur. The blur may be a little too subtle. Double-click the Blur Gallery in the Egret layer in the Layers panel to open it again. Adjust the blur to 6 px, and click OK in the options bar to apply it. Because you applied the filter to a Smart Object, you can hide it or edit it without affecting the original image.
Save the file and close it. The egret is accentuated by the blur. Each gives you on-image selective motion blur tools, with an initial blur pin. You can create additional blur pins by clicking on the image. You can apply one or a combination of blurs, and you can create a strobe effect for path and spin blurs.
Field Blur applies a gradient blur to areas of the image, defined by pins you create and settings you specify for each. When you first apply Field Blur, a pin is placed in the center of the image. You can adjust the blur relative to that point by dragging the blur handle or specifying a value in the Blur Tools panel; you can also drag the pin to a different location.
Tilt-Shift simulates an image taken with a tilt-shift lens. This blur defines areas of sharpness and then fades to a blur at the edges. You can use this effect to simulate photos of miniature objects.
Iris Blur simulates a shallow depth-of-field effect, gradually blurring everything outside the focus ring. Adjust the ellipse handles, feather handles, and blur amount to customize the iris blur.
Spin Blur is a radial-style blur measured in degrees. You can change the size and shape of the ellipse, re-center the rotation point by pressing Alt or Option as you click and drag, and adjust the blur angle. You can also specify the blur angle in the Blur Tools panel. Multiple spin blurs can overlap. Path Blur creates motion blurs along paths you draw. You control the shape and amount of the blur. When you first apply a Path Blur, a default path appears.
Drag the end point to reposition it. Click the center point and drag to change the curve. Click to add additional curve points. You can also create a multiple-point path or a shape.
The Speed slider in the Blur Tools panel determines the speed for all the path blurs. The Centered Blur option ensures that the blur shape for any pixel is centered on that pixel, resulting in more stable-feeling motion blurs; to make the motion appear more fluid, deselect this option.
In the Effects tab you specify the bokeh parameters to control the appearance of blurred areas. You can add a strobe effect to spin and path blurs.
Select the Motion Effects tab to bring its panel forward. Strobe Flashes determines the number of exposures. You can use the Noise tab to restore noise or grain so that blurred areas match up with unblurred areas. Software Coupons. Download Now. Developer’s Description By Examaids. The exam aid is divided into Study, Practice, and Review modes, covers the topics recommended for study by Adobe, contains multiple-choice questions, extended answers, and relevant hyperlinks to the application’s Help pages.
Full Specifications. What’s new in version Release November 14, Date Added November 14, Version Operating Systems. Total Downloads 1, Full of good information. I need this as the textbook for a class I’m taking this semester. Much better and less expensive on the Kindle where I can annotate and highlight, lookup words in the dictionary, set bookmarks, copy material with the citation included, and always to back to where I stopped reading or any bookmark or page number. Starts with Comprehensive look at PS in this book.
Starts with a lot of details that may not be necessary for the average user, but it’s all there in this book. See all reviews. Top reviews from other countries. This should be a great book; the pictures are of high quality and the layout of the text is clear. However, although there are some images available from the Peachpit web site grouped in seven collections Photos Part , they do not relate directly to the 25 chapters in the book and appear in an order unrelated to the page numbers.
Just one example: on page there are two images of a sports car on a country road, the idea being to cut out the car, enlarge it slightly and replace it on the road. Two pictures before and after are shown in the book but these are not included in the downloadable “Bonus Content”. The associated instructions, which start “On the layers panel, click a layer So, as a way of learning Photoshop, it does not work well without enough images. As a page reference book, it is incomplete and the index frequently fails to identify relevant material.
In conclusion, this is a disappointment; neither a good learning tool nor a good reference tool. Good guide to complex subject. Used at UAL photoshop course. Report abuse. Used this series of books over the years when I update my Photoshop. They are written in an ‘receipe’ style that makes it easy to use. This is the first time I got a Kindle version. Well packaged. Does the job I wanted it for. An excellent reference book to have in your library when you tackle Photoshop work. Excellent book, covers plenty of material in depth and clarified many points.
Certainly recommend it but don’t expect it to be bedside reading – can get a little heavy. Your recently viewed items and featured recommendations. Back to top. Get to Know Us. Make Money with Us. DumpsMate Dumps are a special feast for those candidates who find it difficult for them to spare time for exam preparation. The ingenious set of questions and answers covers all the significant topics of Photoshop CC It takes only a week time to learn all the dumps and get through exam with guarantee of success.
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